Friday, September 25, 2009
Nortec Collective and Border Music
"As Mexico prepares its Centenial and Bicentennial celebrations in 2010, Nortec Collective is creating the country’s soundtrack for the next 100 years. More of a movement than a band, Nortec Collective started in the late 90s when several Mexican musicians began fusing norteño and techno. Since then, they have created a vibrant and uncharted brand of alternative Latin music that transcends its genre. The music is an energy and force, which commands people to shake, dance and move their way out of any inhibition and leave modesty behind. From the moment it begins, a Nortec Collective performance shocks the soul and their universal rhythms create a remarkable harmony between artists and audiences."
Leading up to the show, Ramón (Bostich) and Pepe (Fussible) participated in a brown bag luncheon at the Bass Concert Hall and a public forum with other panelists (including multi-grammy winner Joél Guzman) for stimulating, free-ranging discussions of cultural identity, geographical & intellectual borders, growing up in Tijuana, technology, copyrights, and music.
Tijuana is a relatively new city by Mexican standards, evolving as a cultural melting pot estranged from the rest of Mexico and more closely defined by its relationship with the port city of San Diego, Hollywood, and music from all over the map. While the younger people were soaking up European electronica and cutting edge music from around the world (courtesy of the massive radio broadcast towers erected by California stations), older generations were tied to the norteño styles that came from tamborazo and tejano traditions (which, of course, have their distant roots in European polka and classical music).
What Nortec Collective accomplishes now is more than simply playing one style of music on top of another. They fuse music that speaks to different world-views and histories to create a new and exciting hybrid. The combination of visual imagery and innovative music creates a presentation of a new Tijuana to the world, while combining the world with old Tijuana. It is thought provoking and entertaining at the same time. Can't wait to see them again tonight!
Wednesday, September 9, 2009
HAAM Benefit Day is Coming Soon
EAT, SHOP, DONATE, AND ENJOY ON THE FOURTH ANNUAL HAAM BENEFIT DAY!
On Tuesday, September 22, join the Health Alliance for Austin Musicians (HAAM) in keeping music in Austin alive and well.
Here’s how you can help:
* EAT & SHOP at 170 local participating businesses and restaurants, with 5% of your purchase going to HAAM. Download the list of participating businesses and music schedule.
* DONATE your spare change to the HAAM Benefit Day donation boxes at each of the music performances. Your donation will be matched dollar for dollar by Topfer Family Foundation.
* ENJOY live performances from over 90 local musical acts throughout the day. Download the list of participating businesses and music schedule.
* VOLUNTEER to help out at one of the music performances. It's fun and you even get a t-shirt! Sign up at http://www.volunteerspot.com/login/entry/49-624575308125
Also,
Forward this message to your friends to let them know how they can help!
Are you on Twitter? Find us at @myhaam and make sure you tweet on September 22 to keep your followers up to date on the HAAM Benefit Day happenings.
On Facebook? Become a fan of Health Alliance for Austin Musicians.
Play Your Part! Come out on Tuesday, September 22nd to support local musicians’ health!
Health Alliance for Austin Musicians was founded in April 2005 when Seton Family of Hospitals and St. David’s Foundation joined forces with The SIMS Foundation to provide medical, dental, and mental health care to the city’s hard-working, uninsured low-income musicians. More than 1,600 member-musicians, most 35 and younger, have been served.
To learn more or to make a donation, visit www.MyHaam.org.
Thursday, September 3, 2009
Intimate Stranger on Spin Earth
ntime Stranger is a Chilean band that started on 2006 in London, under the duo Tessie y Lautaro. Playing in various underground clubs, back in Chile Mogles joins in 2007, and that same year Ismael was asked to join to play the keyboards. Intimate Stranger is setting they next tour for Argentina, by the end of the year they will launch their second studio album that is still in the works before their United States tour.
Spin Earth witnessed their performance in Santiago, Chile last August 13th.
Tessie rolls and plays so intense, so sensual and elegant, showing off her voice all over the SCD Bellavista stage (Author Rights Society), a place for all types of musicians to perform on an almost daily basis. Lautaro Vera rips his guitar with a "noise/shoegazer" mix that gives us a British club ambiance. Mogles bangs his drums and doesn’t give a break to Ismael’s keyboard, which sets the mood for Tessie's bass. They all carry the show to a high level presentation.
They showed some of their first album "Life Jacket", and a sample of they second one, which is almost at the top of the most prominent music sites online with songs like Eva, Under, For Annie, Back In The Box.
After the show, Lautaro tell us that he’s working on developments to help local bands (Casino, Javiera, Mena, The Ganjas) to perform in US, country in which Intimate Stranger is scheduled to visit next March for they promotional tour before their mini tour in Argentina next November. Tessie (English-Croat descendant), also comments how she sees her audience's reaction their performance sang in English.
Tessie: People approach me saying "I liked your performance, but I think that the majority of the audience would prefer it in Spanish".
Lau: Why not sing in English? Our audience and us listen to English spoken songs all the time, besides, it is the lead market in music.
SPINearth: Actually you are in amazon.com, a site where many Chilean bands are not, is that commercially a step ahead?
Lautario: It is our launch platform of choice, because it’s cheap, the online sales don't give you the pressure to make albums. Indeed places like itunes, e-music and other music sites give you the chance to show a song after you finished it. We made contact with a German record label that allocates our work at 90% of online sites.
SPINearth: How you see the local music scene?
Tessie: We believe is fine, our band left Chile three years ago and now that we return, a change is notorious; there’s more places to perform and more bands.
Lautaro: It's ok, if you compare to foreign band scenes that I like, there's still things to do.
Intimate Stranger members: Tessie Stranger (vocals/bass), Lau Stranger (guitar/backing vocal), Mogles (drums), Ismael Palma (keyboards).
The Horrors join Gorillaz on new album
Damon Albarn has enlisted the Shoreditch coffin dodgers to work on a song for the forthcoming Gorillaz album.
The Horrors have been enlisted by Damon Albarn to contribute to the forthcoming Gorillaz album after he heard their "exciting" new record.
"He got a copy of [Primary Colours] really early, contacted us completely out of the blue and told us how much he liked it," bassist Rhys Webb told BBC 6 Music. "We went down to the studio and he said, 'We're working on the new album and we've not collaborated with a guitar band before. Your album is one of the most exciting things I've heard in a long time. Would you be up for working on a track?'"
Gorillaz have not released an album since 2005's Demon Days, though Albarn and animator Jamie Hewlett have worked together on the project Monkey: Journey to the West. Albarn has confirmed that his attention is focused on Gorillaz now that the Blur reunion gigs are over, while earlier this summer rap group De La Soul described recording vocals for the album.
"[Albarn] played us a lot of tracks he'd been working [on]," Webb said. "They were in a really similar place to where we were at the moment."
The bands got on so well that mid-way through his tour with Blur, Albarn offered to remix the Horrors' next single, Whole New Way. Webb emphasised Blur's influence on his band. "They've always been diverse and experimental," he said. "[Blur] were the first band I went to see."
Your Twenties - Fleetwood Mac meets Elastica
Hometown: London.
The lineup: Gabriel Stebbing (vocals, guitar, keyboards), Michael Lovett (backing vocals, bass), James Hoare (backing vocals, guitar), Robin Christian (drums).
The background: The history of lesser band members (i.e. not the frontman) breaking away from the parent outfit to form a halfway decent new group is long and illustrious. Well, maybe not long, but there are a few. And illustrious might be a stretch ... Hmm. How about Fat Les? Maybe not. Still on a Blur tip: Gorillaz were all right. Then there's Bad Lieutenant, the outfit formed by Alex James and Bernard Sumner of New Order. Hold on, this is ridiculous: we can only think of bands formed by ex-members of Blur. While you try and come up with some better suggestions, please allow us to introduce you to Your Twenties, possibly – it suddenly transpires – the best group ever formed by a member of another act where he wasn't the main geezer. To coin a phrase.
If the name Gabriel Stebbing rings a bell, that's because he was the bassist and keyboard player with Devon's finest electronic popsters Metronomy. Not that he and Metronomy's head honcho, Joe Mount, fell out – in fact, the latter has been producing tracks that will comprise Your Twenties' debut album next year. Before that there is the single Billionaires, to be released on the Neon Gold label (Passion Pit, Marina and the Diamond), which was produced by Blur (them again) and Smiths whizz Stephen Street, who has piled on the gently strummed chords, the oohs and aahs and handclaps, and made it feel like a catchy blast of late-summer guitar pop.
There was a previous single, Caught Wheel, which caused a bit of a stir when it came out last November. It caused a bit of a stir because it managed to pull together the sounds and styles of Your Twenties' two favourite acts, Fleetwood Mac and Elastica. On paper, it seemed a little odd, because even though those were/are both boy-girl combos, there the similarities end. But somehow Caught Wheel – featuring the gently insistent motorik-MOR pulse of the Mac during the verse and a staccato guitar riff during the chorus that was pure Elastica – did indeed sound like that strangest of hybrids, west coast Britpop. There were also synthy bloops and bleeps in there that made you think of early-70s proto-electro novelty, Popcorn by Hot Butter, as well as lush CSN&Y harmonies, and a frenzied guitar solo redolent of Ernie Isley circa Summer Breeze. It could have been a mess, but it was actually quite marvellous. "Our ideal evenings are often spent at home listening to 45s from three decades ago and making wonky pop music," explains Stebbing. Meanwhile, the band are looking forward to completing their debut album, which they hope will sell enough copies to enable them to "move to America, marry librarians and pursue our love of yachting". Well, good luck with that, chaps. And good luck with your decision to pursue either synthy MOR or jangly indie pop.
The buzz: "A curious mix of upbeat, keys-driven alt pop and west coast-styled rock fusion."
The truth: Street might have the marquee name, but if it's an electronic MOR sound you're after, stick with Mount, boys.
Most likely to: Form a spin-off troupe called Fleetwood Macstica.
Least likely to: Become billionaires.
What to buy: Billionaires is released by Neon Gold on 7 September.
File next to: Magistrates, Empire of the Sun, Fleetwood Mac, Elastica.
Links: myspace.com/yourtwenties
AT8 - this girl pop duo have a low-rent charm that's perfect
Hometown: Buckinghamshire.
The lineup: Amber Ducker (squeaks) and Thalia Beard (shrieks).
The background: AT8 are one of two girl pop duos waiting in the wings at the moment, the other being Mini Viva, who seem a bit cooler, a bit more style mag. AT8 have a rather more low-rent charm. In short, they're less Hoxton Bar & Grill, more Harlequin Centre in Watford. Like MV's, AT8's songs are dancey, but they're slower, with slashes of guitar, which the girls actually plug in and play themselves, and they tend to speak-sing with a pseudo-bored sneer that is bound to have commentators swooning that they have "punk" edge. Not always, though – they've obviously been told (although they maintain that they're not media trained, that they do what they want, when they want, etc) not to turn that rap-singing thing into a trademark. They do proper warbling sometimes, only it's that generic, slightly shrill, anonymous Auto-tuned or pitch-shifted vocal sound that we've come to know and hear drifting over the Tannoy at Top Shop or wherever.
AT8, who were born in '88, hence the name, are managed by Amy Winehouse's team and are sassy/saucy suburbanites. They're a GaGa or Girls Aloud for girls who spend Saturday afternoons giggling outside Gap. And they are girls – not grrrls, the riot variety, as Radio 6 presenter Tom Robinson has suggested, writing on his Twitter page that they are, "Gtr-based delinquent B52s/Slits/Tom Tom Club grrrl trashpop." That's not their lineage. They're not a high street Huggy Bear – be serious - much as that notion appeals. They don't have a manifesto or programme of ideals. Unless you count, "We just go out on the piss/Cuz our names aren't on the list," as they tell us on their Skins-tastic debut single, Adam's Party. They've also declared their modus operandi to be "about having fun, rocking out and getting drunk", adding that their lyrics are inspired by "going out on the lash and generally fooling around." Sophisticated situationists they are not. They are scary, though. Thalia is the "fiery redhead who struts around like a sex mad singer" while Amber is the "platinum blonde who takes it off like a part-time stripper." They describe their chirpy electro-pop set-up thus: "We are two guitars and a drum machine … that's all we got that's all we need!" Their spelling and grammar are terrible.
The buzz: "AT8 are more punk than Gallows."
The truth: They insist they're "the complete antithesis of Dolly Rockers", but they're very much in that vein, only less cheeky and smart.
Most likely to: Misspell "insurrection".
Least likely to: Rhyme "seditious" with "Sid Vicious".
What to buy: Adam's Party is released on 5 October.
File next to: Mini Viva, Dolly Rockers, Lady GaGa, Girls Aloud.
Links: www.myspace.com/at8official
Monday's new band: Cold Cave.